- Last Updated on Wednesday, 24 November 2010 00:00
- Published on Wednesday, 24 November 2010 00:00
- Hits: 790
This oriental table belongs to a family in Lancaster County, which has owned it for several generations. The wood is teak and the insert is soapstone or marble. The ornate inlay is mother-of-pearl. It has some fading of the wooden frame, but has not been refinished.
The table is probably Japanese, and dates from the end of the nineteenth or beginning of the twentieth century. One of the keys of dating the table is to note the height. It was made for export to the West, where the modern taste for lower furniture was coming into vogue. A great burst of interest in oriental pieces occurred in that time span, and has continued thereafter.
- Last Updated on Wednesday, 17 November 2010 16:21
- Published on Wednesday, 17 November 2010 16:21
- Hits: 483
The mother of a lady from Connecticut, who settled in Lancaster County, acquired this Louis XVI table many years ago at an antique shop. The marble is brown with white and purplish streaks in it. The exposed wood is mahogany, and the finish is original, including the painted surfaces. The ormolu has not been polished.
- Last Updated on Wednesday, 10 November 2010 16:59
- Published on Wednesday, 10 November 2010 16:59
- Hits: 632
This week we have an unusual topic. Many years ago a couple, who lived in one of the finest Antebellum homes in Lancaster County, asked me to appraise their Shenandoah Valley huntboard. They had acquired it early in their marriage, and wanted to insure it prior to a move out of the area. Soon thereafter they left, and I never saw them again.
- Last Updated on Wednesday, 03 November 2010 15:28
- Published on Wednesday, 03 November 2010 15:28
- Hits: 513
The owners of this piecrust table have prized it for the last forty years since purchasing it from a noted antiques dealer in Georgetown. He told them it was English. It is mahogany with the original hand-forged, three-armed, bracket holding the three legs to the column still in place, as well as the original clasp holding the top in place. The finish is old, but not original, and structurally the table is in untouched condition.
Indeed this table is of British origin, dating from the late eighteenth century, the high point of the Georgian Period of great British cabinetmaking. The shaping of the legs and reeding of the column are of exceptional quality. The hand tooling of the top is excellent. That the table has been refinished does adversely affect its overall value, but it still is a wonderful piece of craftsmanship. The wood appears to be Honduran mahogany, one of the darkest strains of that species.
- Last Updated on Wednesday, 27 October 2010 00:00
- Published on Wednesday, 27 October 2010 00:00
- Hits: 552
Over the course of my decades in the antiques business one of the most rapid rises in popularity I have witnessed is that of Japanese porcelain hallmarked “Nippon.” In the 1970s nice pieces of such wares brought very little money, at a time when “Occupied Japan” items were quite the rage. Today the difference is astounding. Simple Nippon dishes sell for over $25, and more important pieces bring into hundreds of dollars, while the craze for Occupied Japan has abated somewhat.
This week’s item is a Nippon vase belonging to a Northern Neck couple, who found it many years ago at an antique shop. They bought it because they liked the color, which matched other decor in the room where they planned to use it. They have acquired no other pieces, thus they are not Nippon collectors, but always have liked this piece.
The marking, “Nippon”, on china indicates that it was made between 1890 and 1930, and that it was intended for foreign markets, whether American or European. The factories that produced it were destroyed in the Second World War, and those built after the war did not replicate the quality of the work of the earlier ones.
This piece is particularly nice, with excellent decoration in the painting and in the gold leaf enamel highlighting. The shape is distinctive, as most Nippon is, and the