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Antiques Considered - October 14, 2009

This papier mache tray comes from a lady from the lower Northern Neck.  She acquired it at an estate sale of a wealthy socialite from New York City many years ago.  The paint is in excellent condition, and the decoration is still quite vibrant.  Unfortunately, the point of one end has broken off, but the missing part had no decoration on it.
Many types of antiques have developed new markets due to the arrival of the Internet.  In some cases prices have dropped radically as the web has made similar items both more affordable and more available to a larger market.  Papier mache is one antiques genre which has remained both stable and strong.  It is highly collectible and in constant demand.

Read more: Antiques Considered - October 14, 2009

Antiques Considered - October 7, 2009

A collector from Richmond has these four Bristol vases, which are in excellent condition.  They are colored glass with painted decorations, and the white vase second from left has a note indicating that at one time it had sold for $50.
These vases all originated in Bristol, England, the great nineteenth-century English glass manufacturing center.  I do not think the particular factory of any of them could be discerned.  They date from the mid-nineteenth century, and reflect the typical Victorian flamboyant taste of the period.
The one on the left show good artistry in the execution of the floral painting, and is worth $50.  The second from left is shaped quite well, and worth $65.  The third one has fine shape, but the painting is of lesser quality.  It is worth $75.
The tallest one on the right is the best of the lot.  It demonstrates all of the High Victorian tastes as to shape, color and decoration.  The shade is a deep taupe and the colors of the painted flowers harmonize with it quite successfully.   This one is worth $85.

Read more: Antiques Considered - October 7, 2009

Antiques Considered - September 30, 2009

 

This week’s column sets a new record in that the inquiry comes from the greatest distance, namely Oregon.  A lady there, whose mother lives in the Northern Neck has asked about her Sheraton banquet table, and six dining chairs.  The table is mahogany, and consists of three sections, two banquet ends and a center gateleg dropleaf table.

Read more: Antiques Considered - September 30, 2009

Antiques Considered - September 23, 2009

 




A Westmoreland County collector has asked about her footed Nippon dish with its perforated holes in the bottom, an item she acquired at an estate sale. She has not seen any like it previously, and questions why the holes are there.
Nippon refers to the Japanese porcelain made for export, principally to the United States, in the late 19th and early 20th centuries. For a long time, collectors eschewed it, thinking it was cheap and not significant, consequently, it brought very little on the market.
About 30 years ago it came into its own, and today is highly desirable. It always sells well, whether in shops, at estate sales or at auctions. The more extensive the decoration, the better as far as price goes. Ironically, it is especially popular in the South. I know some collectors who have hundreds of pieces, but they are individuals who insist that their pieces be perfect. Damaged Nippon is virtually impossible to sell, and unless it is artist-signed, the cost of professional restoration is beyond feasibility.

 

Read more: Antiques Considered - September 23, 2009

Antiques Considered - September 16, 2009

This platter comes from a family in Northumberland County. It is black-on-white transfer, and hallmarked simply “New York.” Clearly it is a view of Lower Manhattan, dating from the 1840s. The platter was damaged, and the cracks and holes have been restored, but not painted. The owner questions whether to have them painted or not.
This platter is typical of the Staffordshire production of the mid-19th century. The black-on-white finish makes a clear impression, as opposed to some pieces with paler and more muted tones, such as violet or light blue. The design is quite good, and if I had the choice and the money, I should go for the re-painting. Under black light the restoration still will show, but once re-painted the piece will display more effectively.

Read more: Antiques Considered - September 16, 2009

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