- Last Updated on Wednesday, 07 October 2009 05:00
- Published on Wednesday, 07 October 2009 05:00
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A collector from Richmond has these four Bristol vases, which are in excellent condition. They are colored glass with painted decorations, and the white vase second from left has a note indicating that at one time it had sold for $50.
These vases all originated in Bristol, England, the great nineteenth-century English glass manufacturing center. I do not think the particular factory of any of them could be discerned. They date from the mid-nineteenth century, and reflect the typical Victorian flamboyant taste of the period.
The one on the left show good artistry in the execution of the floral painting, and is worth $50. The second from left is shaped quite well, and worth $65. The third one has fine shape, but the painting is of lesser quality. It is worth $75.
The tallest one on the right is the best of the lot. It demonstrates all of the High Victorian tastes as to shape, color and decoration. The shade is a deep taupe and the colors of the painted flowers harmonize with it quite successfully. This one is worth $85.
- Last Updated on Wednesday, 30 September 2009 14:54
- Published on Wednesday, 30 September 2009 14:54
- Hits: 932
This week’s column sets a new record in that the inquiry comes from the greatest distance, namely Oregon. A lady there, whose mother lives in the Northern Neck has asked about her Sheraton banquet table, and six dining chairs. The table is mahogany, and consists of three sections, two banquet ends and a center gateleg dropleaf table.
- Last Updated on Saturday, 05 January 2013 20:48
- Published on Wednesday, 23 September 2009 05:00
- Hits: 531
A Westmoreland County collector has asked about her footed Nippon dish with its perforated holes in the bottom, an item she acquired at an estate sale. She has not seen any like it previously, and questions why the holes are there.
Nippon refers to the Japanese porcelain made for export, principally to the United States, in the late 19th and early 20th centuries. For a long time, collectors eschewed it, thinking it was cheap and not significant, consequently, it brought very little on the market.
About 30 years ago it came into its own, and today is highly desirable. It always sells well, whether in shops, at estate sales or at auctions. The more extensive the decoration, the better as far as price goes. Ironically, it is especially popular in the South. I know some collectors who have hundreds of pieces, but they are individuals who insist that their pieces be perfect. Damaged Nippon is virtually impossible to sell, and unless it is artist-signed, the cost of professional restoration is beyond feasibility.
- Last Updated on Saturday, 05 January 2013 20:49
- Published on Wednesday, 16 September 2009 05:00
- Hits: 633
This platter comes from a family in Northumberland County. It is black-on-white transfer, and hallmarked simply “New York.” Clearly it is a view of Lower Manhattan, dating from the 1840s. The platter was damaged, and the cracks and holes have been restored, but not painted. The owner questions whether to have them painted or not.
This platter is typical of the Staffordshire production of the mid-19th century. The black-on-white finish makes a clear impression, as opposed to some pieces with paler and more muted tones, such as violet or light blue. The design is quite good, and if I had the choice and the money, I should go for the re-painting. Under black light the restoration still will show, but once re-painted the piece will display more effectively.
- Last Updated on Wednesday, 09 September 2009 17:14
- Published on Wednesday, 09 September 2009 17:14
- Hits: 514
This week we have a Chinese Export teapot from a family in Northumberland County. It came from an estate sale, on the last day when prices had been reduced. The owner assumed it had not sold because the handle had been repaired, and bought it for $5.
This teapot dates from the early 19th century, a time when the citizens of the young Republic were achieving a level of affluence whereby they could afford to import from China. Most people considered having Chinese export pieces in their homes to be a mark of distinction. Certainly this piece was part of a larger tea service.
The repair is typical of that done in the nineteenth and early twentieth centuries, in that it consists of using metal staples and a composition to hold the sections together. The process was quite expensive, and it too connoted an indication of a family's wealth. From the appearance of the repair, I would surmise that it was done to make the piece useful once again, rather than merely to make it look better when displayed.
Chinese Export is a term which describes the porcelain made in China for export to America or Europe. The texture of the make-up and the smoothness of the finish were pleasing to foreign eyes and soon makers in England began copying the Chinese. Lowestoft became the center of British manufacture of Chinese-style china.
In perfect condition this 1810 teapot would be worth $400, but the repair eviscerates that sum, despite having cost dearly itself. As is, the value is $90, but on the right day at the right auction a knowledgeable collector might go higher. The perfect pieces are few in number and are competitive in any market where they appear. I have sold good teapots for as much as $700.