- Last Updated on Tuesday, 20 March 2012 23:21
- Published on Tuesday, 20 March 2012 23:21
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A Lancaster County collector purchased this Sheraton overmantel mirror many years ago. It has a gilt gesso frame, and the owner has “touched up” some of the missing gilt with gold paint. He thinks the glass is original as the reverse shows no signs of having been tampered with to replace the mirrors. A few additional chips have come about to the gilt, and the owner wishes to know if re-gilding would affect the value negatively.
This mirror dates from the 1830s, and although not rare is a good example of the period and the style. These pieces came along to meet the demands of Federal and Greek Revival houses with large imposing mantels that needed the enhancement of having impressive items above them.
The quality of this example is such that I recommend taking it to a competent restorer to have the previously applied gold paint removed, and that area as well as the more recent chipped section properly gold-leafed. The process should not be that expensive, but the end result would be more befitting of a piece of this elegance.
The mirror is worth $500. Proper restoration would increase the dollar amount by whatever the cost of the restoration would be. It has fine lines, and structurally appears to be in excellent condition. The Sheraton style is making a comeback, and we are finding that good pieces from that period are selling well. Chippendale, Queen Anne and Hepplewhite still command higher prices because of their greater appeal. To illustrate, a Chippendale overmantel mirror would sell for several times what this Sheraton one could bring.
A final word, I recommend hanging this mirror from both ends, even if it sits on a mantel. The weight is sufficiently great to cause it to fall off in an earthquake experience such as the one last summer. Merely placing it on the mantel is insufficient to guarantee its safety.
Lisa and Henry Hull operate Commonwealth Antiques and Appraisals, Inc. at 5150 Jessie DuPont Hwy., 22570 (P. O. Box 35). Wicomico Church, Va. 22570.
- Last Updated on Wednesday, 29 February 2012 16:16
- Published on Wednesday, 29 February 2012 16:16
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A gentleman in Middlesex County purchased this table at auction recently, and has done some repair work on it. He notes that the top is a replacement, using old wood that appears to have been re-planed. The apron still has the two swing arms that supported the previous two leaves.
This table dates from the mid-nineteenth century, and probably originated in the mid-Atlantic region. The late Sheraton legs are well-turned, and the new top boards
- Last Updated on Tuesday, 21 February 2012 22:38
- Published on Tuesday, 21 February 2012 22:38
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A Northern Neck couple inherited this butter crock from her family many years ago. It has the original lid, and most unusually, the original wire handle. The condition is quite good, considering that it was used on a farm for several generations. A couple of chips appear to have come from the time of the firing in the kiln, but otherwise the condition is excellent. It bears no maker's identification.
- Last Updated on Wednesday, 15 February 2012 00:15
- Published on Wednesday, 15 February 2012 00:15
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A Northern Neck family recently brought this school desk down from a barn loft, where it had lain for more years than any of the family can remember. The wood is walnut, and the finish is original, although the felt on the top appears to be an old replacement. The interior is open, with a few cubbyholes. The owners would like to clean the piece and to replace the felt. They are questioning whether or not to leave the felt or not.
The desk dates form the 1870s, and reflects the earlier nineteenth-century Sheraton style in the turned legs. It is a schoolmaster’s desk, designed to give the teacher some privacy from the
- Last Updated on Wednesday, 08 February 2012 16:06
- Published on Wednesday, 08 February 2012 16:06
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During the Saint Clement’s Island Museum Appraiser Fair ten days ago several people brought in some especially fine pieces of Roseville pottery. Today Roseville is one of the most collectible forms of American art pottery, whereas a generation ago it was not well known and had a small collector base. Most of the factory’s pieces, made in the first half of the last century, went on the market unsigned except for the embossed factory name on the undersides of the pieces.
The pieces at last week’s event were unsigned, but of superb quality. The bowl pictured is